There is this fear that when I don't blog on Monday, I won't on Tuesday and before I realize it, I haven't blogged in years. So I try to keep blogging even when I don't have anything to blog about. It is the same with other things, like my fear of learning to bake. What if I become addicted and become one of those people that I've marveled over in movies who bake the heck out of every situation and eat it all until there is nothing for the ants? So these examples are the before a habit is formed. I am afraid of acquiring new bad habits because I already have a ton that I am already struggling with. Anyway, today is the first day of my second year in Grad school and I honestly don't wish to delve into my bad old habits and fear of new ones. I just had to write something here...
Crazy Jane Talks with the Bishop
by William Butler Yeats
I met the Bishop on the road
And much said he and I.
`Those breasts are flat and fallen now
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.'
`Fair and foul are near of kin,
And fair needs foul,' I cried.
'My friends are gone, but that's a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart's pride.
`A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.'
William Butler Yeats’ "Crazy Jane Talks With the Bishop" is one of my favorite poems. The humor and wit in the exchange between the speakers are excellent and give one much to chew on. The interest of this analysis is to try and decipher whether Jane is indeed crazy or mistakenly identified as such. The title tells us what is happening in the rest of the poem: a woman, ref…
Safe upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!
There has been a little conversation between myself and Edna St. Vincent Millay’s speaker in “Second Fig” for months now. Sometimes I would forget to think or talk to her for days or even weeks, then run into her riding the shades of a slow afternoon or merging with the shadows of an eerie night. Most recently, though, I have been finding her lisping within conversations shared with others and reading her on pages here and there. The thing is, often, in polite society, we speak only of our minor headaches in such ways that arouse neither genuine pity nor concern for our wellbeing but shine a dim light on our shared struggles in the search of infinite satiation. And this is why the lines of “Second Fig” are irritating––they are shamelessly honest. They can even be called coarse in that they seem to mock and brag simultaneously without apology. T…
I am—yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes—
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live—like vapours tossed
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s esteems;
Even the dearest that I loved the best
Are strange—nay, rather, stranger than the rest.
I long for scenes where man hath never trod
A place where woman never smiled or wept
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie
The grass below—above the vaulted sky.
This poem of John Clare's is quite exquisite. It is and it is not and it says just so and explains just so. As is often the case, the complication and resolution of the poem reside in its title, which is the same …